Based on the compact disc “Porträt 2009”, a video has been compiled from still images to the soundtrack of J. S. Bach’s d-minor Toccata BWV 565. It allows a more sensual approach to the instrument.
The audio samples have been gathered from the same disc. The recordings render the colours, but the volume and the distribution of the sound in the church room can’t be reproduced. The microphones were placed on height level of the organ loft at the border between the first and the second vault arch.
J. S. Bach, Toccata d-moll BWV 565
"Maria durch ein Dornwald ging" - Example for accompanying the choir standing remote in the crossing
D. Buxtehude, Praeludium in D, Beginning:
Beginning of Fugue, on Man. III (with Schalmey 4′), Pedal with Sordun 8′:
Center section (with Holzprincipal 8′ from I, thereafter with Krummhorn 8′ aus I):
J. S. Bach, “Wachet auf, ruft uns die Stimme”, Beginning (Solo on II, Accompaniment on I):
J. S. Bach, Fuge BWV 565, Clip:
Final with Imitation of Super Octav Couler
G. F. Händel, Voluntary, Reed Chorus:
L. Boellmann, “Prière” from “Suite gothique”, Beginning (Solo Voice is Gemshorn 8′ on II with several couplers):
Beginning of 4th Movement: